Anthroposophy, Goethean Phenomenology, Sociodrama/Psychodrama, Syntropy, and Appreciative Inquiry are some of the curatorial explorations of the Brazilian artist born in 1978, in the mixed ombrophilous environment of Curitiba, PR, in southern Brazil.

Her phenomenological approach guides her creative movements and studies in the development of human relationships.

Bond directs her gaze, particularly in the collagist expression, representing snippets of moments and feelings experienced in daily life that express the quintessence of living in the 'Here and Now'. She understands Art as a Universal Language of the Soul of Humanity and sees her creations as a means of communicating the soul.

With her professional experience in Social Communication, she enjoys delving into areas such as Semiotics, Pragmatics of Human Communication, and Cultural Biology. As a self-taught visual artist, she rediscovered herself as more powerful with the onset of the Covid-19 Pandemic and initiated moving collage projects using GIFs - Graphics Interchange Format, aiming to artistically experiment with the etymology of the word Psychodrama (Mind in Action). With each collage, she aims to put her mind, feelings, and senses into action as a way to exercise the willpower muscle and cultivate a healthy mind.

Her creations invite an exercise in phenomenological observation. Goethe's phenomenological observation is characterized by inviting the individual to engage thinking in such a way that it guides observation to harmonize with the essence of things, seeking the discipline of detachment from preconceptions and judgments. Phenomenologically observing Caroline Bond's art is surrendering to the encounter with oneself and one's own cosmology since the artist, through her works, aims to provide the observer with the practice of the Philosophy of the Moment, a theory by Jacob Levy Moreno, the father of Psychodrama. In this theory, the moment belongs to Kairos, qualitative time, God's time, the right moment.